Composer INC.

Composer INC. participant 2024

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Snow is a Chinese-Canadian composer from Burnaby who is pursuing her Bachelor’s degree of composition degree at the University of British Columbia. As a composer, a pianist, and someone who loves visual arts, Snow has directed her focus towards the integration of visual arts and music, particularly in the creation of graphic scores and entirely art-based compositions. Beyond visual arts, she is drawn to various art forms, having created works for interactive dance with electroacoustic music, live instruments, and visual design.

In terms of sonic exploration, Snow concentrates on the sound itself and the combination of sounds as a whole. She is also interested in the intercultural aspects of combining Chinese traditional instruments with Western instruments, and collaborated with Vancouver Inter Cultural orchestra’s wind quintet in summer 2023. Currently, she is collaborating with UBC Contemporary Players Ensemble and will have her work premiered at the West Coast Student Composer Symposium in February 2024

Composer INC. participant 2024

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Michelle Lorimer is an emerging composer who writes for concert stage and screen. She’s enjoyed composing music for short & feature length documentaries by Toronto filmmakers, and has worked as assistant composer for a recent episode of CBC’s The Nature of Things. She continues to build her repertoire of concert music, writing for small & large instrumental ensembles and for choir, with recent & upcoming commissions by the Sonority Sisters, Duo Holz, the Charis Collective and the Peterborough Concert Band, in performances that bring concert music to the community. A pianist, guitarist and teacher, she enjoys making music with friends at L’Arche Daybreak, teaching music to young people, and has worked as an accompanist and pianist for the Ontario Pops Orchestra. She currently volunteers as Community Manager for the Association of Canadian Women Composers.

Composer INC. participant 2024

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Lavinia Kell Parker’s use of improvisation with traditional compositional elements has garnered her the New Genre Award from the International Alliance of Women in Music, as well as top prizes in choral composition including: the New York Treble Singers, Vancouver Bach Choir, Choral Canada and the Ruth Watson Henderson Choral Composition Competition. Lavinia loves the creative aspect of customising music that fits both her artistic vision and which also carefully showcases the strengths of performers. Among recent collaborations she has especially enjoyed writing for the Penderecki String Quartet, guitarist Iliana Matos, Clemson University carillonneur Linda Dzuris as well as both elite and community choirs. Her choral works have been performed by choirs internationally and over the airwaves with CBC radio and PBS television. An educator of over 20 years, she has focused on bringing the joy of music to children and is the founder of Coulee Composers, a composition club for youth in southern Alberta. Lavinia is an Associate Composer of the Canadian Music Centre and an Instructor at the University of Lethbridge Conservatory of Music. Her music is published with ECS, Galaxy Music, CMC, Cypress Publishing and can also be obtained by contacting the composer directly through her website.

Composer Mentor 2021 and 2024

One of the most acclaimed composers writing in Canada today, Hong Kong-born Alice Ping Yee Ho has written in many musical genres and received many awards including the 2022 Symphony Nova Scotia’s Maria Anna Mozart Award, 2022 Barlow Endowment General Commission, 2019 Johanna Metcalf Performing Arts Prize, 2016 Louis Applebaum Composers Award, K.M. Hunter Artist Award, 2014 Prince Edward Island Symphony Composers Competition, and 2013 Dora Mavor Moore Award for her opera “Lesson of Da Ji “.

Critics have called her music dramatic and graceful, while praising its “organic flow of imagination,” “distinctly individual” style", "colourful orchestration", and "emotive qualities".

Her works have been performed by the Toronto, Vancouver, Winnipeg, and Victoria Symphonies; the Finnish Lapland Chamber Orchestra, China National Symphony, Shanghai Philharmonic Orchestra, Florida Orchestra, Luxembourg Sinfonietta, and the Polish Radio Choir.

A twice JUNO Award Nominee, she has an impressive discography released on the Centrediscs, Naxos, Marquis Classics, Blue Griffin, Electra, Leaf Music, and Phoenix labels. Besides “A Woman’s Voice”, her 2022 releases including “Blaze”(Centrediscs), a solo piano album featuring acclaimed Canadian pianist Christina Petrowska Quilico; and the full-length recording of her new opera CHINATOWN, commissioned by City Opera Vancouver with librettist Madeleine Thien in September, 2023.

My Compositional Approach:

As a composer, it is important for me to create music that looks deeper into humanity; to reflect on, inspire, educate, as well as incite challenges to the mind of the listeners. My ongoing pursuit is to collaborate with performers to explore different art forms and cultures, discovering new mediums and musical styles that are provocative to the ears.

A lot of my recent compositions are inspired by or thematically related to our Canadian history and global environmental issues. It is also important for me to update my creation process with new mediums and technology. Through my works, I hope to continue to pay tribute to society and give the audience something special in return.

Composer Mentor 2021 and 2024

Rodney Sharman lives on traditional Musqueam territory in Vancouver, Canada. He is the Victoria Symphony's Composer-Mentor-in-Residence, and has been Composer-in-Residence of Early Music Vancouver’s “New Music for Old Instruments”, the Victoria Symphony, Vancouver Symphony, National Youth Orchestra of Canada, and Composer-Host of Calgary Philharmonic’s Festival, "Hear and Now". In addition to concert music, Sharman writes for cabaret, opera and dance. He sings, conducts, plays recorders and flutes. Sharman was awarded First Prize in the CBC Competition for Young Composers, Kranichsteiner Music Prize (Darmstadt), Dora Mavor Moore Award (Toronto), and the Walter Carsen Prize for Excellence in the Performing Arts. 

How I Teach Music Composition: 

I teach compositional technique in all its aspects, helping students bridge the gap between their imagination and technique, assisting artistic growth without getting in the way of finding their personal voice.

My Approach to Composing:

I am a sensualist, and my music reflects my love of instruments and voices. Often ideas come from the acoustical properties of the instruments themselves; I allow the music to radiate from the soundsource outwards, blurring distinctions between harmony and timbre. Other work transforms historical western music through colour, layering, elongation, fragmentation, distillation, and distortion, taking the original as a point of artistic departure. In music for incorporating spoken or sung text, my goal is to halo and frame the words so that text and subtext is enhanced, illuminated. 

Composer Mentor 2024

Rita Ueda is a Canadian composer based in Vancouver, the unceded territory of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. Applauded as a composer whose ‘poetic is often very delicate and introspective…’ (Guido Barbieri, Warner Classics), her works inspire contemplation and dialogue between cultures in flux. Notable recent works include “as the first spring blossoms awaken through the snow” (2021), “let us not be the reason why someone out there is praying for peace” (2020), “forty years of snowfall will not heal an ancient forest” (2010), and “Birds Calling… From the Canada in You” (2022), described as “… fresh, thoroughly Canadian, and breathtakingly original.” (James Imam, Musical America Worldwide).

Winner of the 2022 Jules Léger Prize for New Canadian Chamber Music, 2022 Azrieli Prize in Canadian Music and the 2014 Penderecki International Composers’ Competition, Ms Ueda has premiered works with the Vienna Radio Symphony Orchestra, Budapest MAV Symphony Orchestra, Vienna Chamber Orchestra, Prague Modern, Vancouver Symphony Orchestra, and the SYC Ensemble Singers (Singapore). Since 2012, she has been creating intercultural collaborations with the Vancouver Inter-Cultural Orchestra, BC Chinese Music Ensemble, Allegra Chamber Orchestra, and the Turning Point Ensemble. Her chamber opera, “One Thousand White Paper Cranes for Japan” (2012) has been performed in 6 countries over Europe, North America, and Asia. Her latest intercultural chamber opera, “I Have My Mother’s Eyes: a Holocaust Memoir Across Generations” featuring musicians from Japan and Canada will premiere with the Chutzpah! Festival (Vancouver) in November 2023.

Ms Ueda holds degrees from Simon Fraser University and the California Institute for the Arts. Her teachers include Rudolf Komorous, Rodney Sharman, David Rosenboom, Wadada Leo Smith, and Morton Subotnick. Her latest recordings are I Solisti Della Scalla – Octets (Warner Classics) and Il Viaggio di Dante (Stingray Classica).

My Compositional Approach:

My current compositional approach is about collective discovery, community building, and respectful intercultural dialogue. I seek virtuosity of communication in both my collaborators and myself. Through my projects, I hope to create a safe environment where we can explore and discuss important issues that are relevant today. This often calls for scores that involve aleatoric procedures, graphic notation, immersive performance space, and movement. Past ACO collaborations have led the orchestra to imitate melting ice, engage in orchestral improv, and drop 1,200 table tennis balls from the ceiling of the Orpheum Annex. These novel procedures were not performed just for the sake of experimenting with something new. I hope to foster important conversations and to tell positive stories that inspire us to create change for a better world.

Composer INC. participant

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Athena Loredo is a composer based in Vancouver, BC. Her compositional style is influenced by the manipulation of musical fragments. From quoting Bach or Bizet to composing works where musicians interact with the score in real time, Athena enjoys reworking music to create something new. Athena’s musical interpretation of Olivia Whetung’s beaded score, Strata, was featured in the UBC Belkin Art Gallery event, Soundings: Olivia Whetung and the Ladner Clock Tower Carillon. More recently, she collaborated with bassist Meaghan Williams for an interactive sonic video installation, Rayas, supported by the Redshift Music Society. Athena is currently a library assistant for the BC branch of the Canadian Music Centre and a doctoral candidate in music composition at the University of British Columbia. She graduated with an MMus from UBC and a BMus from Memorial University of Newfoundland.

Composer INC. participant

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Maria-Eduarda Mendes Martins is a composer, conductor, and arts administrator living in Toronto, ON.

Ultimately, Maria-Eduarda’s music aims to reflect the multidimensionality of her world and culture, where so much can happen simultaneously. Her pieces question what is complex and what is simple, what is old and what is new. While composing, Maria-Eduarda feels as though she can shape time – as a sculptor shapes clay.

Born and raised between Rio de Janeiro and Porto Alegre (Brazil), Maria-Eduarda did not have access to musical education until her adolescence, when she discovered an ability to create medieval-sounding melodies. Since then, she completed a bachelor’s degree in music composition at UFRGS (with Celso Loureiro Chaves), a master’s degree at University of Victoria (with Dániel Péter Biró and Christopher Butterfield), and she is currently pursuing a doctorate degree at University of Toronto, having composer Gary Kulesha as her supervisor. Maria-Eduarda’s involvement with the national music scene led her to stay in Canada, becoming a citizen of the country in 2023.

Her music is featured in summer festivals/events such as the Gaudeamus Muziekweek (Netherlands) and Académie Francis Poulenc (France), and it has received honours such as the Friends of Canadian Music Award. She has collaborated with conductors such as Gemma New and Eckhart Preu, orchestras such as the Brno Philharmonic (CZ) and Hamilton Philharmonic (CA), ensembles and curators such as Soundstreams and Allegra Chamber Orchestra, in cities across North America, South America, and Europe.

Composer INC. praticipan

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Ashley Renee Seward is a composer living and working on the unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and Sel̓íl̓witulh (Tsleil-Waututh) Nations. She has recently finished a Master of Music in Composition at the University of British Columbia, where she studied with Dorothy Chang, Jocelyn Morlock, and others. In her music, Ashley enjoys exploring a specific brand of queerness through quirky forms and phrases as well as juxtaposition of lush triadic harmony and dimly-lit post-tonality. She enjoys writing for all instruments and ensembles, with a particular interest in small chamber ensembles and opera.

When not composing, Ashley likes to play Dark Souls and plan out her Magic: The Gathering decks. Sometimes, if she’s feeling frisky, she will put on an obscure audiobook and go for a walk in the woods. She has always wanted a cat (the photos here are of Juno, a wonderful fellow who unfortunately does not live with Ashley), so any commissioning payments will go towards getting a cat and housing and feeding a little guy.

Composer INC. participant 2021

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is an emerging, award-winning composer currently finishing her BMus in Composition in Edmonton, Alberta with Dr. Emilie LeBel and Kent Sangster. For fifteen years she was active in classical piano pedagogy, accompanying, and community programming and has recently devoted time to hone her compositional skills. She actively seeks opportunities to develop her compositional capacities and has participated in enriching programs offered by the Canadian Music Centre and Babɛl Choral Composer Mentorship Program in Toronto, Canada, and the Standing Wave Ensemble, of Vancouver, British Columbia. Prior to formal undergraduate studies, she received associateships and diplomas in piano performance, accompanying, and teaching from the Victoria Conservatory of Music and Camosun College and holds an ARCT from the Royal Conservatory of Music. She is a registered music teacher, a member of the Kodaly Society of Canada (Level I certification), and a committee member of the Contemporary Showcase Music Festival in Edmonton, Alberta. Her scope of musical skill and passion for mentoring young musicians has presented opportunities to conduct and develop inclusive and impactful community music programs. With her life perspective, authenticity, open mind, and desire to learn, she brings enthusiasm and depth to her compositional practice. Mari Alice will be attending graduate studies in composition at the University of Alberta in the fall of 2021.

Composer INC. participant 2021

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is a Malaysian composer currently based on the traditional, ancestral and unceded territories of the Musqueam, Squamish, and Tsleil- Waututh peoples. She obtained a BMus in Music Composition from the University of Oregon and is now in the 2nd year of her graduate degree in Music Composition at the University of British Columbia. Her music has been performed at the Eugene Concerts at First series, Oregon Bach Festival, Oregon Composers Forum, and the Music Today Festival. Her most recent work was premiered at the West Coast Student Composers’ Symposium by UBC’s Contemporary Players. Her involvement with The Score Research Cluster has encouraged her to diversify her approach to writing music and hearing sound as a whole. Her music is inspired by the desire to understand processes, especially how things come to be. She draws from a variety of human experiences surrounding emotional states, memories, belonging, and even food. She also strives to understand where and how her background and upbringing fit into the Western world of contemporary art music. In the future, she hopes to see more representation of minority BIPOC and/or LGBTQ+ artists throughout the arts and hopes to provide access to the arts across all social classes in her home country, Malaysia.

Composer INC. participant 2021

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known for her bold approach to aesthetics and expertly crafted electronics. Her diverse artistic background is evident in her works, which implement visual art, theatrics, creative writing and improvisation. Her scores are colourful works that inspire the eye as well as the ear. Her current compositional fascination is with colour, metaphor and exploring how sound contexts can transform meaning. Holly grew up in Halifax, NS and is currently based in St. John’s, NL. Her work has been played across Canada, notably at the 21st Century Guitar Conference in Ottawa, The Newfound Music Festival, The Tuckamore Music Festival and as part of Continuum’s HATCH program. Her work Violence which explores frustrations surrounding the treatment of victims of sexual violence was recently recorded on Canadian Guitarist Ben Diamond Debut CD Prime. Her work for chamber ensemble and electronics nothing to do with explosions was recently featured on the YouTube channel ScoreFollower. Upcoming commissions include a work for percussionist Beverly Johnston and performances at Sound Symposium. Holly holds a B.Mus from Memorial University (St. John’s, NL) and a B.A. from the University King’s College (Halifax, NS). She is currently working toward a M.Mus from the University of British Columbia (Vancouver, BC). She has studied composition under Andrew Staniland, Jocelyn Morlock, and Dorothy Chang.